Rexhep Rexhepi Chronomètre Contemporain II

A warmer, rose gold iteration of the Chronomètre Contemporain II, this example diverges slightly from those seen in the past with a creamy, ivory dial as opposed to a cooler white tone. These small touches represent the constant evolution and development of Rexhepi’s work.

Image sourced from Michelangelo: Divine Draftsman & Designer, published by The Metropolitan Museum of Art, New York (2017), featuring a detail of Michelangelo’s studies for Adam in the fresco The Creation of Adam on the Sistine Chapel ceiling (1511), held in the collection of The British Museum, London.

The Chronomètre Contemporain II won Rexhepi his second Men's Watch Prize award at the 2022 GPHG Awards, and was the product of several changes made to his operation. One of the most significant additions being the late and highly respected casemaker Jean-Pierre Hagmann, who Rexhepi lured out of retirement to merge their workshops in Geneva Old Town, and for Hagmann to train several apprentices in his craft.

Already in the past few years, we have seen the watch go through several exciting variations, adapted ever so slightly to introduce a new concept but remaining faithful to the classical vision devised by Rexhepi. We are delighted to share the first three pieces that have passed through our hands from the workshop, each Chronomètre Contemporain II demonstrating a different side to watchmaking and its associated crafts.

When I had a bit more means, I invested it in my tools and my workshop to become better, whether it was the cases, straps, dials. I took everything I had, and I used it the right way to become a better person. Because this is all for me. This is all I know. My watchmaking is my life.

Rexhep Rexhepi

Rexhep Rexhepi Chronomètre Contemporain II, Rose Gold

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An evolution of one of the first two variations released for the Chronomètre Contemporain II, this example features a ivory grand feu enamel dial, with a second layer of black painted enamel numerals, and is cased in rose gold. With a fully redeveloped movement that echoes the same highly refined stylistic codes first established four years ago, the watch incorporates a new complication, deadbeat seconds and case-making by the legendary Jean-Pierre Hagmann.

Enamel dials at Émailleurs de la Cité

Straddling the worlds of craft and art, enamel is often seen as separate to watchmaking, used to adorn dials and held in an exalted position that can elevate a piece but is never quite reconciled with the mechanics and clockwork that underpin a watch.