Lang & Heyne Georg, Stainless Steel

Sold
Price excludes 20% VAT for UK buyers. Learn more
Watchdrawer

This Lang & Heyne Georg* in stainless-steel is made special by the inclusion of the serial number on the dial, a detail seldom seen in the independent brand. The case, measuring 40mm long and 32mm wide, features the brand’s signature three-lug aesthetic. The white enamel dial is thoughtfully arranged with Art Deco touches applied sparingly. The calibre VIII, seen through the exhibition caseback, is beautifully laid out so each wheel is anchored by an independent bridge. These elegant details are heightened by the obvious fine hand finishing.

Art Deco

Just look at the many names that have entered the canon of design history, and the diversity of their disciplines too, yet all moulded by the ethos of Art Deco: in fashion advertising the likes of Erte, and in advertising the likes of Cassandre; Ruhlmann and Lalique in glassware, Kem Weber in set design; in fine art Jean Dupas, Tamara de Lempika and Paul Manship; in architecture William Van Alen, Oskar Hansen and Ralph Walker; in product design Henry Dreyfuss, Russel Wright, Raymond Loewy, and Norman Bel Geddes, among others. Art Deco became a vernacular through which all could create.

Art Deco - first given full vent at the Exposition Internationale des Arts Decoratifs et Industriels Modernes in Paris in 1925, but coming into view in the years proceeding - offered a vision of the world that was progressive, confident, luxurious, expansive, familiar and yet simultaneously futuristic. What it didn’t do - as so many design movements before had done - was come with a demanding manifesto.

Rather, it maintained some continuity with the past: the florid exuberance of Art Nouveau or the ornamentation of Victoriana, for instance, even nods to Ancient Greece or Egypt. But with its directness of forms, its monolithic, stepped buildings, its geometry and streamlining, its readiness to use both the elaborate, high craft of bespoke, as well as new mass-manufactured materials the likes of tubular steel, chrome and new plastics, Art Deco managed to look simultaneously forward.